During last night's Nutcracker performance I decided to change my fingering for the high A-B trill in the bassoon solo in No. 11:
For reasons I cannot explain, the high A-B trill fingering I have used ever since my very first Nutcracker is unreliable. I don't know why I remained loyal to this fingering:
Mysteriously, the fingering works perfectly when I first take the bassoon out of its case. The trill works quite a few times at first, and there doesn't seem to be any problem. Then suddenly, inexplicably, something changes and the fingering fails, with a cacking noise replacing the high B in the trill. Once this change occurs during a practice session or orchestra service, the cacking continues each time the trill is attempted! It's confounding.
It might seem obvious to some bassoonists that if the cacking begins only after repeated executions of the trill, the logical solution would be to not practice it before a performance. But I am too obsessive to restrain myself from testing it, over and over, before a performance!
Finally, in the middle of last night's Nutcracker, I decided to solve the problem once and for all. As long as other fingerings exist, why not find a reliable fingering for the High A-B trill?
Early this morning I pulled out my Cooper/Toplansky Essentials of Bassoon Technique. I tried all of the fingerings for that trill, thanking my lucky stars that there were so many choices, and decided upon the one that had popped into my mind last night during the Nutcracker:
This one never cacks, even the hundredth time it is played. It is slightly awkward due to the 2nd finger right hand having to go up when the 3rd finger left hand goes down, but my original fingering wasn't exactly easy either.
But a problem does exist. I have practiced the original fingering thousands upon thousands of times (ask any member of the Columbus Symphony). That fingering is in my DNA. Now suddenly I'm supposed to have a new (and awkward) fingering ready to go by tonight's performance?!
In the past when I've had to "reprogram" like this, I've used the technique of keeping the bassoon out all day (normally I put it back in its case whenever I'm not practicing) so that I can continuously pick up the bassoon and play the new trill fingering, within the context of the Nutcracker solo, then set it down and do something else briefly (or practice something else), followed by another go at the passage, ad infinitum, in the hopes that I can make the trill automatic by tonight. I have found that the most helpful thing I can do at this point is to remind myself before playing the passage to leave the 4th finger right hand on the F key for the A4 which begins the trill, since that is the most unusual and unnatural aspect of this new trill fingering. Whenever I do remind myself to leave the 4th finger on the F key, the trill is a success.
Have you ever encountered a problem with this trill? What was your solution?
Sunday Evening Music - Vijay Singh: Carpenters of God Central Western University Chamber Choir; Gary Weidenaar, Director
2 days ago