I had the great pleasure of meeting Arthur Weisberg seven years ago. I was glad to have the opportunity to tell him how he had influenced my career. When I was in high school I heard him perform with the New York Woodwind Quintet, and I'll never forget the way he made the bassoon sound easy to play. Later, I learned how to double tongue from his phenomenal book The Art of Wind Playing.
Nadina Mackie Jackson has created an amazing career as a bassoon soloist. In the video below she briefly talks about finding the voice of the reed, and then demonstrates.
These three bassoonists are virtuosos whose command of the instrument lies well beyond the norm. Their demonstrations of what's possible on the bassoon provide inspiration for other players, and hopefully for composers who will be drawn to our instrument!
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